National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Life and Work of Mikhail Chekhov in the context of Historical Development of Russian Drama
Elisová, Kateřina ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
The thesis analyzes the historical development of Russian drama and it also discusses various acting techniques and their development. It focuses on efforts to create a method or system of acting which would help the actors perform characters in a natural and persuasive way. In this context, the thesis deals with Mikhail Chekhov - actor, director, theater director, teacher, theorist of acting, but also a Russian emigrant or nephew of Anton Pavlovich Chekhov. Chekhov was a student of K. S. Stanislavsky. He worked in the Moscow art theatre and later founded and participated in the work of theatre studios in Europe and the United States of America. He dedicated a substantial part of his life to pedagogical and theoretical work. Keywords: acting method, acting technique, anthroposophy, dramatic arts, dramatic form, directing, eurythmy, the archetype.
Psychical Distance and Laughter at the Theatre
VAŠÁKOVÁ, Martina
The present BA thesis is focused on the exploration of the role of laughter and comicality within Dramatic Arts. The starting point is explanation of the concept of Edward Bullough's "psychical distance" as a factor, which defines aesthetic attitude. The laughter is described there as the type of reaction, that tend to under-distancing or to over-distancing and so to a disruption of aesthetic attitude. At the same time, however, whole significant section of Dramatic Art comedy works intensively with the role of laughter . BA thesis attempts to indicate main features of laughter and its transformation within the aesthetic attitude.
The Role of a Text in Dramatic Art.
DEMETER, Peter
The present BA thesis focuses on the role and the nature of a text in dramatic Arts and the relation of a dramatic text and a theater performance. Its aim is to demonstrate the place of dramatic text in the structure of dramatic Arts and important meaning of stage directions. The method of comparison is used in this BA thesis to introduce dramatic Arts in the context of czech aesthetics and semiotics of theater.

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